IN MEDIA RES

In her thirty-fifth book, the eminent Dutch cultural theorist M. Bal explores the new language that Indian artist Nalini Malani has been developing since early this century with her shadow plays. The result of Malanis new art is an extremely powerful application of the idea of the (multiple) moving imagepast, present, and future. An iconic, politically engaged art form that has made waves at exhibitions such as Paris, Delhi, Bombay at the Centre Pompidou in Paris (2011), Documenta (13) in Kassel (2012), and Scenes for a New Heritage ...[Leer más]